collaborations      compositions

Brute & Brut (2020)

Brute & Brut (2020) 

co-created with James McMillan, Fugue

Site responsive sound work using GPS triggered audio. Presented in Kings Park, Perth as part of The Blue Room Theatre Winter Nights program.

French Over (2020)

French Over  (2020) 

Izzy McDonald, Rorschach Beast

Site-specific theatre work staged in 3 cars parked in the State Theatre courtyard. Part of The Blue Room Theatre Summer Nights at Fringeworld Perth.

Desire Lines (2020)

Desire Lines (2020)

Fonder Physical Theatre, choreographed by Lauren Catellani

Dance & physical theatre, installation and live electronic work [40'] for The Girls School at Fringeworld Perth. 

Performed by 
Jessie Camilleri-Seeber, Mani Mae Gomes, Sarah Sim and Mitch Spadaro.

Quokka Apocalypse (2020)

Quokka Apocalypse (2020) 

Zachary Sheridan, public service announcement

theatre work for The Blue Room Theatre Summer Nights at Fringeworld Perth.

supported by Propel Youth Arts WA's Drug Aware Y Culture Grant.

media: 1 2 3

Illawarra Flame studies (2019)

Illawarra flame tree (2019) [open duration]

performance-installation, co-created with Be Gosper

for Illawarra flame tree flowers, needle and thread, pedestal fan and stringed instruments.

Illawarra Studies was commissioned by Kelsey Diamond for the Found exhibition at Paper Mountain.

Rerail (2019)

Re rail (2019) [open duration]

site-specific performance and installation

co-created with Scott Galbraith for In Situ at Cyril Jackson Senior Campus. 

for bed slats, resonating containers, plastic sheets, tape and portable speakers. 

supported by TURA New Music and STRUT Dance. 

Watering (2019)

Watering (2019) [50'] 

Lauren Catellani, Fonder Physical Theatre

 

Dance & physical theatre / installation work with

live electronics and objects, performed at Old Customs House for FRINGEWORLD Perth. 

awarded WA Dance and Physical Theatre Award.

supported by Ausdance grant.

Bande passante/Bandwidth (2019)

Bande passante/Bandwidth (2019) [open duration]

site-specific performance work for 2 performers and portable speakers, co-created with Claire Veysset as part of Phonurgia Nova Radiophonic Workshop with Alessandro Bossetti (Arles, France)

Connectivity (2019)

Connectivity (2019) [11']

Rikki Bremner

 

dance work for STRUT Dance Company's Short Cuts at King St Arts Space with live electronics.

Untitled (2019)

Untitled (2019) [10']

Mel Tan and Logan Rimshaw

 

performed in STRUT Dance Company's Short Cuts at King St Arts Space.

Moulding (2019)

Moulding (2019) [15']

Felix Palmerson

 

dance / installation work for Melbourne Fringe Festival.

Desire Works (2018)

Desire Works (2018)

tape, released on Second Iteration. 

nine (2018)

nine (2018) [1'] 

co-created with Be Gosper, released in the collaborative album EX / IN (responses to Dan O’Connor’s IN / EX), Tone List

Reverb of the Perth Town Hall (2018)

Reverb of the Perth Town Hall (2018)

reverb mapping collaboration with Elliott Bennett 

Ada (2018)

Ada (2018) 

Noemie Huttner-Koros

 

theatre work, presented at The Blue Room Theatre, Perth.

Lemons (2018)

Lemons (2018)

Lauren Catellani, Fonder Physical Theatre

 

Dance work for Here. Moving at Perth Town Hall as part of Fringe World Festival, Perth

Sookie (2017)

Sookie (2017) [45']

research driven electronic project that uses perceptual grouping theories (specifically the psychoacoustic notions of stream segregation and stream fusion introduced in Albert Bregman's Auditory Scene Analysis) to investigate the notion of perceptual ambiguity in music. With this project, I was interested in developing a set of compositional tools that could help ride the transitory state between fused and segregated 

perceptual organisations.​​

ID (2017)

ID (2017) [variable']

for ensemble of any size and instrumentation.

 

ID was written for and premiered at the Breaking Out concert as part of Tura New Music’s Totally Huge New Music Festival (2017). This concert was recorded by ABC Classic FM and featured on their New Waves podcast

ID was selected by ABC Classic FM to represent Australia at the 2018 International Composers Rostrum in Budapest, Hungary.

notes

It is only through the digital domain that artists & practitioners gained complete access to sound & its acoustic components, with electronic technologies enabling the manipulation, modulation & precise editing of sounds on minute scales of time and frequency. ID explores the intricacies and evolution of four loops by taking structural and workflow concepts of electronic music production, and recontextualising them in a live acoustic ensemble setting.

Swan Reeds (2017)

Swan Reeds (12')

for voices, field recordings, 8-speakers, mobile phone playback, and electronics.

After some time spent listening to the Berringa Park wetlands area, I became interested in the practice of creating "intentionally disturbed" field recordings to reflect ideas surrounding land development and nature conservation within urbanised areas.

 

This work developed further as an investigation into mimetic techniques for electro-acoustic composition, using amplitude panning, ambisonic, and audience mobile phone playback spatialisation techniques to reflect immersive and pointilistic spatial gestures, and compositional form inspired by Tim Opie's ideas surrounding ecostructuralism to translate the swamp area into the performance space. 

We Exist Elsewhere (2017)

We Exist Elsewhere (2017)

Lauren Catellani, Fonder Physical Theatre

Ban Tham Lot (2016)

Ban Tham Lot (5')

electronic

Sitting underneath hundreds of thousands of bats and swifts, as they wake up/return to roost in the Tham Lot caves in Soppong (a Shai tribe town on northern borders of Thailand). 

It was first performed as part of the Mandurah Fringe Festival. 

Sunbank (2016)

Sunbank [3']

electronic

composed for the WAAPA Composition concert series.

Crystalised (2016)

Crystalised (8')

for field recordists, wind quintet and electronics.

Something Lemon (2016)

Something Lemon (2016)

Lauren Catellani, Fonder Physical Theatre