Quokka Apocalypse

Zachary Sheridan


The Blue Room Theatre Summer Nights and public service announcement

Supported by Propel Youth Arts WA's Drug Aware Y Culture Grant

French Over listen / images

Site-specific / Theatre

The Blue Room Theatre Summer Nights and Rorschach Beast

Desire Lines (40')

Lauren Catellani and Fonder Physical Theatre

Dance & Physical Theatre / Installation work


composition & scores

Irrawarra red (open duration)

performance-installation co-created with Be Gosper for the Found exhibition at Paper Mountain

for Irrawarra flame tree petals, needle and thread, fan and stringed instruments



Re rail (open duration)

site-specific performance-installation co-created with Scott Galbraith for In Situ at Cyril Jackson Senior Campus. 


For bed slats, plastic sheets, tins and portable speakers. 

TICKET LINK: https://www.trybooking.com/BFXEE

supported by Strut Dance and TURA New Music


Connectivity (11')

choreographed by Rikki Bremner, performed in STRUT Dance Company's Short Cuts at King St Arts Space with live electronics

Untitled (10')

choreographed by Mel Tan and Logan Rimshaw, performed in STRUT Dance Company's Short Cuts at King St Arts Space 

Moulding (15') video / images

choreographed by Felix Palmerson, performed at Melbourne Fringe Festival

Watering (50') notes / video / images

Dance & Physical Theatre / Installation work

Lauren Catellani

live electronics and objects, performed at FRINGEWORLD 2019, Old Customs House

Awarded WA Dance and Physical Theatre Award

Fringe World Festival, Perth. 2019. Feb 1 – 2 | Old Customs House

Ausdance residency. Showing at YMCA HQ Dance Space, Sep 12.

Supported by Ausdance.

Boy Zoned (45')


Paper Haus 

for Fringe World Festival, Perth. Feb 5 - 10, 2019


perth town hall Impulse response - reverb mapping

with Elliott Bennett

project to map reverbs in perth

18 - 03 - 14

nine, with Be Gosper, released in the collaborative album EX / IN (responses to Dan O’Connor’s IN / EX), Tone List 2018

Desire works, released on Second Iteration. 




Lauren Catellani and Fonder Physical Theatre

for Here. Moving at Perth Town Hall as part of Perth Fringe Festival


SUGAR (2018)

Fringe World Festival, Perth. Jan 26 - Feb 05, 2018

ADA (2018)

Blue Room Theatre, Perth. 

Noemie Huttner-Koros




ID (variable')

for ensemble of any size and instrumentation.


ID was written for and premiered at the Breaking Out concert as part of Tura New Music’s Totally Huge New Music Festival (2017). This concert was recorded by ABC Classic FM and featured on their New Waves podcast

ID was selected by ABC Classic FM to represent Australia at the 2018 International Composers Rostrum in Budapest, Hungary.

Listen here. Score here.


It is only through the digital domain that artists & practitioners gained complete access to sound & its acoustic components, with electronic technologies enabling the manipulation, modulation & precise editing of sounds on minute scales of time and frequency. ID explores the intricacies and evolution of four loops by taking structural and workflow concepts of electronic music production, and recontextualising them in a live acoustic ensemble setting. In ID, the audience finds itself immersed in a micro-detailed sound world, listening to the timbral complexities and organic evolution of the piece as it gradually unfurls.

Sookie (45')

This research driven electronic project relies upon perceptual grouping theories–specifically the psychoacoustic notions of stream segregation and stream fusion introduced in Albert Bregman's Auditory Scene Analysis–to explore the notion of perceptual ambiguity in music. With this project, I was interested in developing a set of compositional tools that could help ride the transitory state between fused and segregated 

perceptual organisations.​



We Exist Elsewhere


for 600s at the Blue Room Theatre for Fringeworld Perth.

2016 - 2015

Swan reeds​ (11') listen (stereo recording)

for voices, field recordings, 8-speakers,and electronics.

an exploration of Tim Opie's ideas surrounding ecostructuralism, nature conservation within urbanised areas, and the act of sensitivity. This work uses timbre spatialisation techniques and intentionally disrupted field recordings taken in the Berringa Park wetlands area.

Sun blanket (variable')

text and graphic score

for sampler, double bass, percussion, electronics, acoustic guitar and vocals.


composed for the WAAPA Composition concert series (2016). 



 Ban Tham Lot (5')  listen

Tape work

This work was written after watching hundreds of thousands of bats and swifts cross paths at the mouth of the Tham Lot cave in northern Thailand.

premiered at the Perth Fringe Festival, Mandurah HubBub in January 2016.

Crystalised (8') listen 

for field recordists, wind quintet and electronics. 


Something Lemon

Lauren Catellani


premiered at Dolphin Theatre in 2016 as part of Hatch dance.

The Ruby Red Fatales (2016)

Fringe World Festival, Perth. Feb 07 - 18, 2017

Ellington Jazz Club, July 20 - 27, 2016

Fringe World Festival, Perth. Feb 12 - 16, 2016

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