Brute & Brut info / images 

co-created with James McMillan, Fugue

Site responsive sound work using GPS triggered audio. Presented in Kings Park, Perth as part of The Blue Room Theatre Winter Nights program.

media: out in Perth

Quokka Apocalypse info / listen / images

Zachary Sheridan, public service announcement

theatre work for The Blue Room Theatre Summer Nights at Fringeworld Perth.

supported by Propel Youth Arts WA's Drug Aware Y Culture Grant.

media: 1 2 3

French Over  info / listen / images

Izzy McDonald, Rorschach Beast

site-specific theatre work staged in 3 parked cars in the State Theatre courtyard. Part of The Blue Room Theatre Summer Nights at Fringeworld Perth.

Desire Lines (40')

Lauren Catellani, Fonder Physical Theatre

dance & physical theatre, installation and live electronic work for The Girls School at Fringeworld Perth. 


composition & scores

Irrawarra flame tree (open duration) info

performance-installation co-created with Be Gosper for Irrawarra flame tree flowers, needle and thread, pedestal fan and stringed instruments.

Irrawarra Studies was commissioned by Kelsey Diamond for the Found exhibition at Paper Mountain.

Re rail (open duration) notes / score / listen (excerpt)

site-specific performance and installation

co-created with Scott Galbraith for In Situ at Cyril Jackson Senior Campus. 

for bed slats, resonating containers, plastic sheets, tape and portable speakers. 

supported by TURA New Music and STRUT Dance. 

Untitled (open duration)

site-specific performance work for 2 performers and portable speakers, co-created with Claire 

Veysset as part of Phonurgia Nova Radiophonic Workshop with Alessandro Bossetti (Arles, France)




Connectivity (11')

Rikki Bremner 


dance work for STRUT Dance Company's Short Cuts at King St Arts Space with live electronics.

Untitled (10')

Mel Tan and Logan Rimshaw


performed in STRUT Dance Company's Short Cuts at King St Arts Space.

Moulding (15') video / images

Felix Palmerson


dance / installation work for Melbourne Fringe Festival.

Watering (50') notes / video / images

Lauren Catellani, Fonder Physical Theatre


Dance & physical theatre / installation work with

live electronics and objects, performed at Old Customs House for FRINGEWORLD Perth. 

awarded WA Dance and Physical Theatre Award.

supported by Ausdance grant. 

Boy Zoned (45')

Heather Jerrems, Paper Haus 


theatre work for Fringe World Festival, Perth.


composition & scores

nine (1') listen

co-created with Be Gosper, released in the collaborative album EX / IN (responses to Dan O’Connor’s IN / EX), Tone List

Desire Works listen

released on Second Iteration. 


Perth Town Hall reverb

reverb mapping collaboration with Elliott Bennett

Lemons  view

Lauren Catellani, Fonder Physical Theatre


for Here. Moving at Perth Town Hall as part of Fringe World Festival, Perth.


Heather Jerrems, Paper Haus

theatre work for Fringe World Festival, Perth.

Ada  listen

Noemie Huttner-Koros


for Blue Room Theatre, Perth. 



composition & scores 

ID (variable') listen / score

for ensemble of any size and instrumentation.


ID was written for and premiered at the Breaking Out concert as part of Tura New Music’s Totally Huge New Music Festival (2017). This concert was recorded by ABC Classic FM and featured on their New Waves podcast

ID was selected by ABC Classic FM to represent Australia at the 2018 International Composers Rostrum in Budapest, Hungary.


It is only through the digital domain that artists & practitioners gained complete access to sound & its acoustic components, with electronic technologies enabling the manipulation, modulation & precise editing of sounds on minute scales of time and frequency. ID explores the intricacies and evolution of four loops by taking structural and workflow concepts of electronic music production, and recontextualising them in a live acoustic ensemble setting.

Sookie (45') listen

research driven electronic project that uses perceptual grouping theories (specifically the psychoacoustic notions of stream segregation and stream fusion introduced in Albert Bregman's Auditory Scene Analysis) to investigate the notion of perceptual ambiguity in music. With this project, I was interested in developing a set of compositional tools that could help ride the transitory state between fused and segregated 

perceptual organisations.​​



We Exist Elsewhere

Lauren Catellani, Fonder Physical Theatre


for 600s at the Blue Room Theatre as part of Fringe World Festival, Perth.

2016 - 2015

composition & scores



Swan reeds (12') listen (stereo) 

for voices, field recordings, 8-speakers, and electronics.

an exploration of Tim Opie's ideas surrounding ecostructuralism, nature conservation within urbanised areas, and the act of sensitivity. This work uses timbre spatialisation techniques and intentionally disrupted field recordings taken in the Berringa Park wetlands area.

Sun blanket (variable') score / listen 

for sampler, double bass, percussion, electronics, acoustic guitar and vocals.

composed for the WAAPA Composition concert series. 


Ban Tham Lot (5') listen

Tape work

This work was written after watching hundreds of thousands of bats and swifts cross paths at the mouth of the Tham Lot cave in northern Thailand.

premiered at the Perth Fringe Festival, Mandurah HubBub in January 2016.

Crystalised (8') listen

for field recordists, wind quintet and electronics.





Something Lemon

Lauren Catellani, Fonder Physical Theatre


for Dolphin Theatre, as part of Hatch dance.

The Ruby Red Fatales

Heather Jerrems, Paper Haus

Theatre work for 8-piece jazz ensemble for Fringe World Festival Perth.

Fringe World Festival, Perth. Feb 07 - 18, 2017

Ellington Jazz Club, July 20 - 27, 2016

Fringe World Festival, Perth. Feb 12 - 16, 2016

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